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From Cher to T-Pain, auto-tune has been prevalent in music for a long time (whether you noticed or not). Tom Scott breaks down how auto-tune works.
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Monday, September 30, 2024, 3:30 PM Eastern Update:
ARRL leadership has been engaged throughout the weekend with key volunteers in the southeast, especially in hard hit North Carolina, to facilitate any support headquarters can provide to the impacted area. The devastation is widespread and greater than many seasoned emergency responders have ever seen before.
There are ad-hoc health and welfare...
Learn everything you need to know about AI in 15 minutes. Well, maybe not quite everything but it might get you started. This post on Tensor Labbet condenses 27 papers articles and books (~300,000 words) into quick digestible reads.
The original reading list was compiled from a twitter thread citing OpenAI founder Ilya Sutskevers:
While the list is fragmentary and much has happened in the field since, this endorsement and the claim that it was part of onboarding at OpenAI quickly made it go somewhat viral.
At about 300,000 words total, the combined content nonetheless corresponds to around one thousand book pages of dense, technical text and requires a decent investment in time and energy for self-study. After doing just that, I therefore dedicate this blog post to all those of us who provisionally bookmarked it (“for later”) and are still curious. What follows is my own condensed and structured summary with about 120 words per item, free of mathematical notation, to capture the essential key points, context and some perspective gained from reading it with the surrounding literature.
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Linus Åkesson (lftkryo on YouTube) makes 8-bit SID music on a Commodore 64 without any software apart from the built-in BASIC interpreter.
This involves poking numbers into memory and hardware registers and writing machine code in decimal.
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Dan Marler, K7REX, the challenger seeking the position of ARRL Northwestern Division Director, was declared disqualified Saturday by the ARRL Ethics and Elections Committee (E&E). Marler was running against incumbent Mark Tharp, KB7HDX. Due to the disqualification, the committee has declared Tharp elected.
ARRL’s election rules state, “All matters concerning campaigns, including remedies for iss...
TheaTTYr is a terminal theater for playing VT100 art and animations.
The VT100, introduced by DEC in 1978, was among the first video terminals to support ANSI escape codes.
The ANSI art scene used the VT100’s animation capabilities, made possible by codes that allowed cursor movement, deletion, and character updates to create animated effects.
Usually, they represent a long hand-crafted process done by a single person to tell a story. Some of these files may date back to the 1960’s and 1970’s.
Orhun Parmaksız developed this tool over a series of livestreams, which you can check out here.
You can see demonstrations and code on GitHub.
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drew’s dev blog posts on everything you need to know about Python 3.13 – JIT and GIL went up the hill
So what makes this release different, and why should you care about it?
In short, there are two big changes being made to how Python runs at a core level which have the potential to radically change the performance profile of Python code in the future.
Those changes are:
Python 3.13 is a big release in introducing some exciting new concepts and features to the runtime. It’s unlikely to make any immediate different to how you write and run your Python, but it’s likely that over the next few months and years as both free-threading and JIT become more mature and well established, they’ll begin to have more and more of an impact on the performance profile of Python code, particularly for CPU-bound tasks.
Check out the details in the post here.
Simon Willison:
Audio Overview is a fun new feature of Google’s NotebookLM which is getting a lot of attention right now. It generates a one-off custom podcast against content you provide, where two AI hosts start up a “deep dive” discussion about the collected content. These last around ten minutes and are very podcast, with an astonishingly convincing audio back-and-forth conversation.
Here’s an example podcast created by feeding in an earlier version of this article (prior to creating this example).
I listened to the whole 15-minute podcast this morning. It was, indeed, surprisingly effective. It remains somewhere in the uncanny valley, but not at all in a creepy way. Just more in a “this is a bit vapid and phony” way. I think that if you played this example podcast for a non-technical person who isn’t informed at all about the current state of generative AI, that they would assume for the first few minutes, without question, that this was a recorded podcast between two actual humans, and that they might actually learn a few things about generative AI. But given that the “conversation” is literally about creating artificial podcasts like this very example, I wonder how many would, by the end, suspect that they were in fact listening to an AI-generated podcast? It’s quite meta — which the male voice on the podcast even says during the episode.
But ultimately the conversation has all the flavor of a bowl of unseasoned white rice. Give it a listen, though. It’s remarkable.
★This video from Vox details how Kodak transformed the photography landscape. With its introduction of the Brownie point and shoot, which was originally marketed to children, amateur photography completely took off. Kodak dominated the market for a little over a century. Watch the full video here.
Kodak gave way to pocket digitals and eventually the iPhone but amateur photography is still going strong. It’s very much alive in the DIY circuit and we stock a bunch of cool cameras in the Adafruit shop. Here are some of our current faves:
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What do music teachers talk about when they talk about the future? Find out in this report from the annual Missouri state music teachers conference! Here’s more from Music Matters:
Our opening session titled “Innovating for the Future” included a panel with renowned leaders in the field of music education – Dr. Jennifer Snow, CEO and Executive Director of the Frances Clark Center; Dr. Courtney Crappell, long-time columnist for the American Music Teacher magazine and Dean of UMKC; Andrea Miller, founder of Music Studio Startup; Dr. Curtis Pavey, UMKC Assistant Professor and Manager of Online Publications for the Frances Clark Center for Keyboard Pedagogy; Dr. Sara Ernst, Associate Professor at University of Oklahoma and Director of Teacher Engagement and programming for the National Conference on Keyboard Pedagogy; and Dr. Christopher Madden, UMKC Assistant Professor and co-author of the Technique through Repertoire books. They were tasked with finishing the statement, “I believe in a future that…” I appreciated hearing the vision each of them shared for the future of music teaching as a profession and was challenged with a number of questions to consider for myself, my studio, and our community. Very thought-provoking!
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